I've heard some complaints, and other criticisms about this book, but I just don't agree. I don't think Keith sits back and bitches the whole time by any means. I think he jumps around and rambles a little and is completely honest in his judgments of characters around him, but he is also completely honest and tough on himself, much like the twenty times nastier and completely open Miles Davis in his autobiography co-authored by Quincy Thorpe (HIGHLY RECOMMENDED FOR ANYONE WHO CARES ABOUT WESTERN MUSIC HISTORY AND MOST CERTAINLY JAZZ). I will also give this a 5-Star, highly recommended, A+, (or whatever you want to call it), rating. I know what you're thinking: "Midge, you recommend every book you read and only choose ones that you have a high probability of liking." Well there is some truth to that even though it disregards my review of Tolstoy's Anna Karenina. Still, this book is a really engaging and fun read about a band that is as important as any other in the forming and shaping of Rock-and-Roll. Sure, they began by reproducing songs written and performed by African American artists, but much like with straight blues, jazz, and other African American forms of music, the mass public didn't fully pay attention on a grand scale until white performers began to play the music. Sad fact, but people like Elvis, Buddy Holly, and Jerry Lee Lewis, were some of the first to turn average white America on to the music of Little Richard, Chuck Berry, and Muddy Waters. Eventually, rock and roll would become a major American staple of pop-culture, but it was slow and tough going for a while. Artists like all of the aforementioned and Ray Charles, The Beatles, The Rolling Stones, and many more both white and black would each play a very significant role in the transformation and opening of eyes, ears, hearts, and minds. The "Brittish Invasion," is as important to the forming of American popular music as any other chapter of it's growth over the last one hundred and twenty years and the Stones are easily in the top two bands of that era and obviously the only one still tearing down the house. Although, it should be noted that Paul McCartney continues the Beatles legacy, vibe, and spirit by still delighting audiences with moving and highly technical renditions of his entire catalogue. Keith is the main songwriter from the Stones. He wrote all the riffs and most of the songs. Jagger wrote some beauties, too, including "Brown Sugar," and "Miss You," and collaborated on the lyrics of almost every tune, but Keith often came up with not only the song structure and melodies, but often the original lyrical idea as well as sometimes writing the entirety of the lyrics. Sure, he bitches about Brian Jones and Jagger, but he compares he and Jagger's relationship to that of brothers who always fight, but contain a deeply rooted love for each other and would kill for one another. So, take it with a grain of salt and step back. Critical reflection is an important part of reading any book. You have to decide what is real, fantasy, fiction, and embellishment on the author's part. The stories of drug busts, car crashes, drugs, giant inflatable cocks, groupies, drugs, jamaica, New York, drugs, and all the other ramblings including rendezvous' with some of the greatest musicians of rock and roll history including eventually playing with all of his childhood heroes make for a "fantastic fucking read" (sloppy drunken English accent). Read on friends and I'll try to as well. Your pal, The Midget.
